To work with heavenly silk textiles has been a lifelong dream  of mine. I am blessed to have been passionately involved in collecting Silk Suzanis, and spreading Suzani awareness and appreciation since May 2012 in Cape Town.

Silk has held a special magic for me since childhood. Watching silk worms eating mulberry leaves and then spinning their golden silky threads. The wonder of colour and pattern observed in nature fascinates me. Studying Suzanis combine these loves in a special way.

I studied Textile Design and History at the University of Stellenbosch. Since then the Ancient Silk Road history captivated me.

I find Suzani a perfect platform to study the story and use of motifs and symbols over the centuries, to trace their history and ever-changing messages.  It is fascinating why some motifs attract and speak to one, and others have no impact or can even make you feel uncomfortable.

In 2012 I was captivated by a photograph of a Suzani on a textile blog and commented on its beauty. Thus began my direct connection with their fascinating and unique world. I found myself speaking online to a special new friend and Suzani expert in Bukhara, the very heart of the Ancient Silk Road and craft art in Uzbekistan. I was fascinated to learn as much as possible about this "herstory" in art.

 This is the image on a blog that started my now over six years journey.

This is the image on a blog that started my now over six years journey.

Azizbek Gulyamov is an expert in Suzanikari and has been passionately involved in its revival for more than a decade. He grew up during Soviet times when traditional Suzani embroidery was denied and discouraged. Traditional families highly treasured their inherited Suzanis and women embroidered armlets to remember and practice the traditional skills they had learned through the ages from their mothers. In his childhood home embroidery was highly cherished, and this memory enchanted and inspired him.

Since the independence of Uzbekistan from Russia in the early 90's it has been a profound joy in Central Asian that women are free to embroider their traditional and ethnic designs and motifs and to celebrate again freely the magic of traditional Central Asian Suzani creation.

Whilst studying in Germany Azizbek also thoroughly researched antique Suzani history and design from museums and private collections worldwide. He returned to Bukhara and set out on his dream to help in the new drive to create traditional Suzanis in Noble Bukhara. With a graphic designer to draw the designs on adras and carefully selected embroideresses from the villages to do the hand embroidery, they set out to create authentic interpretations of antique Suzani designs. They have since been producing and building up on a series of the most beautiful contemporary silk Suzanis of incredibly high quality.

In 2013  I visited Uzbekistan, and the more I learned and saw of this ancient world of the Silk Road, the more it enchanted me. I need another few lifetimes to explore and learn about only a fraction of it all. 

"Suzani embroidery has withstood the passage of time. Every phase has contributed to the spirit of this art.  Each authentic Suzani tells a quiet story to those who understand. Her language is one of motifs and colour that speak magical messages. These have been transformed over generations, but continue to express the same feeling."

The creator of each Suzani remains present inside her handicraft.

Having grown up in a time of machine woven and printed textiles, I am overwhelmed and inspired by these hand embroidered Suzanis with their exuberance, beauty, craft and elegance. I feel that each one is an artwork, alive with unique energy.  I find it thrilling that in this high speed technological time of endless distractions and lack of practicing "slow- time",  there are women who are still patiently creating this same pure art and craft of the many generations of women before them. I love the fact that women gain great respect in their community, and a personal pride through the excellence of their embroidered art work. Embroidery Art has always been held in very high esteem in Central Asia.

I am passionate to help in keeping this art form flourishing.  I am slowly building up my own wonderful private collection of Suzanis from Bukhara and I also sell Suzanis from the Suzaniroom at my home.

I have given a series of talks on that which I have discovered on the subject of "Suzanikari" to date and my Suzani Collection has taken part in many exhibitions in Cape Town and in Johannesburg.

Pictures follow below.

  "Patterns of Contact " curated by Carol Kaufmann at the Iziko Museum in 2015

"Patterns of Contact " curated by Carol Kaufmann at the Iziko Museum in 2015

  Our Suzanis were exhibited at the yearly Embroiderer's Guild Exhibition at Nova Constantia, 2015

Our Suzanis were exhibited at the yearly Embroiderer's Guild Exhibition at Nova Constantia, 2015

  The Suzanis in my care are recorded by professional photographers in order to keep a good digital record. Here   Colleen Coppenhall is photographing new Suzanis as they arrive from Bukhara.

The Suzanis in my care are recorded by professional photographers in order to keep a good digital record. Here Colleen Coppenhall is photographing new Suzanis as they arrive from Bukhara.

 Justin Patrick photographing the Suzanis at the "Sewing Paradise" exhibition at the Irma Stern Museum.

Justin Patrick photographing the Suzanis at the "Sewing Paradise" exhibition at the Irma Stern Museum.

My Collection was exhibited for the month of July 2016 at the Irma Stern Museum in Cape Town.

  Irma Sterns beautiful painting that was the focal point of the "Sewing Paradise" exhibition about a sisterhood of embroidery .

Irma Sterns beautiful painting that was the focal point of the "Sewing Paradise" exhibition about a sisterhood of embroidery.

The Irma Stern Museum in Cape Town Exhibition 2016

"Sewing Paradise 

“A celebration of the contribution women make to the world through their creative talents. The show will feature Manina Baumann's magnificent collection of hand-embroidered Uzbek suzanis as well as artworks of 20 artists that have been created in response to these Central Asian textiles. Curated by Michael Chandler, the all-female exhibition aims to explore the notion of the inner-garden; a timeless metaphor for a state of ideal beauty and harmony. Just like the walled gardens of Persia, the essence of a Suzani is one of flourishing beauty, harmony and protection. Philosophically, they are an attempt to create a perfect state and space, a return to Eden. The exhibition aimed to share the embroidered versions of Paradise with the onlooker, and to explore the way contemporary female artists respond to these textiles."

Exhibiting local and international artists, the show also featured lesser-known works by Irma Stern, who herself was an ardent textile enthusiast and collector."

  "Sewing Paradise" was very well received and enjoyed by very many Irma Stern museum members and visitors.

 Information about the exhibition can be found on the Museum's website :

 http://www.irmastern.co.za/      Past Exhibitions

http://www.irmastern.co.za/view.asp?ItemID=20&tname=tblComponent2&oname=Exhibitions&pg=exhibitions

Below is the link to the interview with Tasleema Allie of 91.3 FM Voice of the Cape during the July 2016 Suzani exhibition

and also an interview from SAfm radio compiled from interviews and speeches on the opening night.

https://iono.fm/e/312645

  At the Voice of the Cape studio after the broadcast with Tasleema Alie.

At the Voice of the Cape studio after the broadcast with Tasleema Alie.

 http://www.capetownmagazine.com/events/sewing-paradise-a-sisterhood-through-suzani/2016-07-05/11_37_56877

http://www.capetownmagazine.com/events/sewing-paradise-a-sisterhood-through-suzani/2016-07-05/11_37_56877

  Comments from the Visitors book at the Irma Stern Museum during the exhibition

Comments from the Visitors book at the Irma Stern Museum during the exhibition

  The postcard was created for the exhibition with one of the collection Suzanis reflecting the palace garden design of the Taj Mahal

The postcard was created for the exhibition with one of the collection Suzanis reflecting the palace garden design of the Taj Mahal

  The magnificent Suzani from my collection used as inspiration for the Exhibition postcard. “The Circle of Life”

The magnificent Suzani from my collection used as inspiration for the Exhibition postcard. “The Circle of Life”

  Very happy to be in front of this magnificent Shahrisabz Suzani at the exhibition

Very happy to be in front of this magnificent Shahrisabz Suzani at the exhibition

  Nancy Richards doing an interview with Azizbek Gulyamov at the Irma Stern Museum Exhibition

Nancy Richards doing an interview with Azizbek Gulyamov at the Irma Stern Museum Exhibition

Suzaniroom has exhibited at two Cape Town Antique Fairs and three "Kamers Vol Geskenke" Markets. One in Stellenbosch, then the Caste, De Goede Hoop, and at the City Hall

.“Sewing Spring” 2017

In August 2017 I exhibited Suzanis in Johannesburg at the CO2 Gallery in Craighall Park in a beautiful exhibition called "Sewing Spring".  A collaboration between myself and two young artists, my daughter Maria Baumann and Sarah Hooper. The topic was the Persian Garden of Eden as seen in Suzanis. This in turn was the inspiration for their painted artworks. The exhibition lasted for 10 days and was very well attended and enjoyed by many new Suzani lovers.

  My favorite work from the exhibition by Maria Baumann.

My favorite work from the exhibition by Maria Baumann.

  Maria Baumann came to work on her beautiful drawings at the exhibition to the delight of many visitors.

Maria Baumann came to work on her beautiful drawings at the exhibition to the delight of many visitors.

“The All Silk Suzani Exhibition” 2018

This year I was very privileged to exhibit All Silk Suzanis at The Great Celler of the Alphen Estate. It was a magical and wonderful experience to be able to have at least 26 beautiful Suzanis hanging on these wonderful historic old walls to be enjoyed by so many appreciative visitors. 

  The poster for this exhibition

The poster for this exhibition